![]() This is especially useful If you are going to work with a particular pro studio for purposes of reviews with clients. Third, take a field trip, mix stuff in your room, and then go see how it translates to other known Atmos spaces. If your room is fundamentally flawed, your mixes will be too. We want you to tighten up your room acoustics with improvements. Creating a room where you can't see your speakers will improve your mixes because you'll stop mixing for speakers and start mixing for the space that you’re in. Practical advice on measuring and tuning your monitors is included, from how to tune your system manually through to advanced tools like using Smaart analysis software with multiple mics to tune the system. It also allows you to play around with different models of speakers and different combinations of speakers to see what works for your space for both power handling and SPL. The dart allows you to put your room dimensions in to a spreadsheet style interface and it calculates where your speakers should go in your existing space. It's helpful for choosing speakers that are right for your space. If you are planning an Atmos system it is worth knowing about a tool named the DART - the Doby Atmos room design tool. The importance of offsetting speakers using delays is covered including practical advice on how to measure your speaker placement and the relative merits of creating the necessary delays and EQ curves in the Dolby Atmos Renderer compared to using a hardware speaker controller. If you’ve never tuned an Atmos system, step by step advice is offered, including how much level and headroom you need, how to generate the test tones from the Dolby Atmos Renderer, the type of sound level meter you will need and which weighting to use and when. The video also include specific advice on acoustic room tuning, for example did you know that the recommended ratio of absorption versus reflective surfaces in a mix room is 60/40 or 70/30? How To Tune An Atmos System These specifications will be optimal for speaker configuration and allow for proper dispersion” “The optimal Atmos mix room would be 18 feet wide by 21 feet and 10 feet high, but for those of us with home studios and working with less than perfect room dimensions, you will generally want your Atmos Music room to be a minimum of 10 feet wide by 11 and a half feet long and with your ceiling at at least eight feet high. ![]() This video contains really useful, specific advice. Using Luke’s home studio as an example, he walks us through his own 7.1.4 setup before handing over to senior applications engineer Brian Pennington for a look at best practices and techniques for tuning. 00:00 - 00:56 Dolby Atmos Music Creation 101: Studio Setup and TuningĠ0:56 - 02:45 Configuring Your Dolby Atmos Music StudioĠ7:57 - 08:43 Dolby Atmos Music Studio ResourcesĠ8:43 - 11:25 Tuning Your Dolby Atmos Music Studio
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